With a “heroically shining tone of exceptional clarity and precision” (Opera Magazine) and “gorgeously burnished power” (The New York Times), American tenor Russell Thomas uses his signature elegance and intensity to create vivid character portrayals on the world’s most important stages.
The 2018/19 season features Mr. Thomas’s hotly anticipated stage debut as Verdi’s iconic Otello, to be seen at the Canadian Opera Company after concert performances with the Los Angeles Philharmonic and Atlanta Symphony Orchestra. He sings Manrico in Il trovatore at the Bayerische Staatsoper and Lyric Opera of Chicago, makes his role debut as Roberto Devereux at San Francisco Opera opposite frequent collaborators Sondra Radvanovsky and Jamie Barton, and brings his celebrated Tito in La clemenza di Tito to Los Angeles Opera. On the concert stage, he joins the World Orchestra for Peace in Beethoven’s Symphony No. 9 at the BBC Proms, and performs Mahler’s Das Lied von der Erde with the Dallas Symphony Orchestra. He closes his season by reuniting with conductor Teodor Currentzis and director Peter Sellars for a new Idomeneo at the Salzburger Festspiele.
Acclaimed for his “voice of intrinsic warmth and refined sense of style” (Opera News), Mr. Thomas has enjoyed a string of operatic triumphs in recent seasons, including performances as Don Carlo at Washington National Opera and Deutsche Oper Berlin; Cavaradossi in Tosca at Los Angeles Opera and Los Angeles Philharmonic; and Pollione in Norma at Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera, Canadian Opera Company, and Palau de les Arts Reina Sofia. He has debuted as Florestan in Fidelio at Cincinnati Opera, as Stiffelio at Oper Frankfurt, and as Turiddu in Cavalleria rusticana at Deutsche Oper Berlin. Mr. Thomas has sung Rodolfo in La bohème at the Metropolitan Opera, Loge in Das Rheingold with the New York Philharmonic, Adorno in Simon Boccanegra at the Royal Opera House Covent Garden, and Ismaele in Nabucco at the Metropolitan Opera and Seattle Opera. His portrayal of the title character in the new Peter Sellars production of La clemenza di Tito at the Salzburg Festival and Dutch National Opera drew praise from the The New Yorker, which noted, “Thomas’s penetrating tenor, which has lately acquired richness and heft, anchored the evening.”
Mr. Thomas’s “ardent expression and spine-tingling high notes” (Cincinnati Enquirer) have been heard in the Verdi Requiem with the New York Philharmonic, Oregon Bach Festival, Theater Basel, and the national symphonies of Washington, D.C. and Barcelona. He has appeared as tenor soloist in Mahler’s Das Lied von der Erde with the Los Angeles Philharmonic, New York Philharmonic, and the symphonies of Detroit, Atlanta, and Houston; and in Beethoven’s Symphony No. 9 with the New York Philharmonic, San Francisco Symphony, Dallas Symphony, and the Boston Symphony Orchestra at Tanglewood. Mr. Thomas created the role of Lazarus in the world premiere of The Gospel According to the Other Mary, a passion oratorio by John Adams and Peter Sellars, and has performed the work at English National Opera, Ravinia Festival, and the Los Angeles Philharmonic, which commissioned it.
Mr. Thomas is an alumnus of the young artist programs at the Metropolitan Opera, Seattle Opera, Florida Grand Opera, and Opera Theatre of St. Louis, and has received prizes from the George London Foundation for Singers, Liederkranz Foundation, Licia Albanese Puccini Foundation, and Richard Tucker Music Foundation. In 2010, he swept the Grand Prize, Audience Prize, and Tenor Prize of the Francisco Viñas Competition in Barcelona, Spain.
Future seasons include appearances in Berlin, London, Toronto, Chicago, Houston, New York, and Washington, D.C.